In this live action work I wanted to interrogate the potential reciprocity and/or collaboration that we, as humans, negotiate as we enter into a relationship with the world and its matter.
‘Making is a correspondence between maker and material’ (Tim, Ingold 2013) To succumb to both the power of the elements, the directional control of having limited visibility and the rough landscape beneath my feet felt genuine and freeing. The work began to shape...
This live performance work was created whilst thinking through 18th C ideas of the sublime (Edmund Burke). Thoughts of transformative experience, scale, discomfort and awe prevailed. It also references Roland Hepburn’s ideas (1966) around the immersive appreciation of...
The ‘extraction study’ series was created using performative drawings or ‘extracted’ marks on different fragments of stone. The marks were made using symbolic lengths of time – a ratio (minutes to days) of the time that particular stone...
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